我不知道上影集团有没有关于“上影精神”的官方描述,但如果广义地来讨论何谓“上影精神”的话,我觉得“开放”应该是它的基色之一。开放也是多层面的,比如对现代电影业来说,投融资渠道必然是开放的。这几年国产电影的投资也开始逼近动辄千万乃至上亿的规模,它“高投入,高风险”的特性日益凸显,所以资金渠道必然是开放式的,一个单位“独揽”一部大片的全部投资的 I do not know if there is any official description about Shangying Spirit in the Shanghai Film Group, but I think it should be one of its basic colors if it is broadly discussed. . Opening up is also multi-faceted. For example, for the modern film industry, the investment and financing channels must be open. In recent years, the investment in domestic movies has begun to approach the scale of tens to millions of even hundreds of millions. Its characteristics of “high investment and high risk” have become increasingly prominent. Therefore, the fund channel must be open-ended, and a unit “monopoly” A large piece of the total investment