水墨画的范畴涵盖了历史、文化、社会的发展实相,不仅是具象的描绘、意象的取材,更是抽象的心境。它是知识、异想,与人格的反射与投入。它可以云淡风轻,可以山河变动,更可以关心社会意识。于是,我画农家情趣,也画社会现象,寄笔墨于美学呈现的新视觉创作。我的水墨画天地,在东方、在台湾、也在心灵,而这样的绘画美学应是可感、可思、可读的诗情。 The scope of ink painting covers the realities of the development of history, culture and society. It is not only a concrete depiction, a drawing of the image, but also an abstract state of mind. It is a reflection of knowledge, vision, and personality, and input. It can be clear and light, can change mountains and rivers, but also can care about social awareness. As a result, I painted peasant fun, but also painted social phenomena, send ink in the aesthetics of the new visual creation. My world of ink painting, in the East, in Taiwan, is also in the heart, and such painting aesthetics should be sensible, imaginative, readable poetic.