在老舍的作品中,《正红旗下》是一部经典之作,但是它的未完结使得戏剧改编者往往望而却步。北京曲剧团经过一系列努力,完成了曲剧《正红旗下》的创作和排演。全剧在尊重小说文本的基础上,立足于音乐剧思维,并借重了部分话剧剧本进行创作。文章从整合——对原著内容的舞台性分配,拾遗——新创情节与人物形象树立,补缺——对原著高潮和结尾的构建三方面,分析北京曲剧《正红旗下》的改编创作。 In Laoshe’s work, “Is Red Flag” is a classic, but its unfinished drama often make editors are discouraged. After a series of efforts, the Beijing Opera Troupe completed the creation and rehearsal of the opera “Zheng Hong Qi Xia”. On the basis of respecting the text of the novel, the play is based on the thinking of musical plays and takes part of the drama script for creation. The article analyzes the analysis of the adaptation of Beijing Opera “under the Red Flag” from three aspects: integration - the stage distribution of the original content, the collection - the creation of the new creation and the image of the characters - the climax of the original and the construction of the ending.