“黄土画派”和“长安画派”是新中国成立以来根植于陕西这片黄土地上的两个杰出艺术流派,具有浓厚的时代特色和地域特色,在近现代中国画坛中占有重要地位,对其艺术风格的研究特别是艺术风格的比较研究有助于把握近现代中国画尤其是陕西地区中国画的发展脉络,领会“以人民为中心”的创作方向,对当代中国画创作有其现实指导意义。并且,当下有少数人对于“黄土画派”的地位认识不清,由于“黄土画派”和“长安画派”所隔时间段较为接近,又都是根植于黄土高原的艺术流派,容易给人造成错觉,从而把“黄土画派”归于“长安画派”的范畴内,为了从理论上更好的认识两个画派,对其艺术风格的比较研究非常有意义。 “Loess School” and “Chang An School of Painting” are two outstanding art schools that have been rooted in the loess land in Shaanxi since the founding of People’s Republic of China. They have rich historical features and regional characteristics and occupy the modern Chinese painting society The comparative study of its artistic style, especially its artistic style, helps grasp the development of modern Chinese painting, especially the Chinese painting in Shaanxi Province, and comprehends the creative direction of “taking the people as the center” Its practical significance. And nowadays there are a few people who are not familiar with the status of the “loess painting school.” Because the loess painting school and the Chang’an Painting School are close in time, they are also rooted in the Loess Plateau Of the art genre, it is easy to give people the illusion that the “loess painting school” belongs to the category of “Chang’an Painting School”. In order to theoretically better understand the two schools of art, its artistic style is compared Research is very meaningful.