《大鱼海棠》以浓郁的中国风和猎奇的故事架构获得不错的票房成绩,成为继《大圣归来》之后的国产动画良作,将国产动画艺术推向一个新台阶。《大鱼海棠》画面惊艳,是一部优秀的美术片,但主题偏颇、价值观混沌,饱受观众诟病,是一部形大于神的动画电影。本文从批判的视角多角度辩证地分析《大鱼海棠》的艺术美学。 “Big Begonia” with rich Chinese style and novelty won the story of the box office to get a good box office, becoming the “Great” after the home-made animation masterpiece, the domestic animation art to a new level. The image of “Big Begonia” is a stunning piece of art, but its theme is biased, its values ​​are chaotic and it is widely criticized by the audience. It is an animated film larger than God. This article dialectically analyzes the artistic aesthetics of “Big Begonia” from a critical perspective.