当代诗人赵丽华解构桃花日:“白色的桃花,我看到很多,统统是粉色,开得又烂又俗。”有人说:“在这个价值崩溃的时代,被解构的又岂止于桃花,这个为情所困的世界,所有的植物,不是开得又黑又惨,就是又烂又俗。”因此说桃花的古典时代终结了。当我看到张见的《桃色》系列作品时,忽然意识到桃花的古典意向在当下复活了。一、桃花的古典意向桃花的古典意象绽放于古典之中,如《诗经》:“桃之夭夭,灼灼其华。之子于归,宜其室家。”桃花乃是妙龄的少女,怀揣着爱情的甜蜜向往。花开烂漫,极其撩人情怀,“桃花得气美人中”(柳如是),诗句中桃花幻化为美人的身影。唐代崔护的“人面桃花相映红”。是对桃花的高歌。但绚烂并不能长久,犹如花容易逝。曹雪芹曾假借林黛玉的诗《桃花行》哀叹:“胭脂鲜艳何相类,花之颜色人之泪;若将人泪 Contemporary poet Zhao Lihua deconstructed the peach days: ”white peach, I saw a lot, are all pink, open rotten and vulgar.“ Some people say: ”In this age of value collapse, deconstruction is more than peach This world trapped by love, all the plants, are not open and dark, are rotten and vulgar. “” Therefore, the classical era of the end of the peach. When I saw Zhang’s “Peach” series of works, I suddenly realized that the classical intention of peach rose in the moment. First, the classical intention of peach Blossom classical image bloom in the classical, such as the “Book of Songs”: “Peach’s Yao Yao, burning its China. Son of attribution, should be their home. ” Peach is a young girl, With the love of sweet yearning. Blooming, extremely sultry feelings, “Peach was gas beauty ” (Willow is), the poem in the peach illusion turned into the figure of the United States. Cui Hu of the Tang Dynasty “peach blossom red”. It is a song of peach blossom. But gorgeous and can not be long, like flowers easily perishable. Cao Xueqin had under the guise of Lin Daiyu’s poem “Peach Blossom” lamented: "rouge vivid what kind of, the flower of the color of people’s tears;