“民族形式”问题是现代建筑创作中的一个很大的问题。几十年来,我国建筑的“民族形式”的创作,一直处于实践之中,同时也一直处于争论之中。这个实践,是从二十世纪二十年代起始的,而对于它的争论,从二十世纪三十年代也就开始了。既然历史是前进的,实践是发展的,这个争论也不会终结,它还是要继续下去,因为, The “ethnic form” problem is a big problem in modern architectural creation. For decades, the creation of the “ethnic form” of our country’s architecture has been in practice, and it has also been in controversy. This practice began in the 1920s, and its debate began in the 1930s. Since history is advancing and practice is developing, this controversy will not end. It still has to continue, because,