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初冬的天津舞台上,四平地区话剧团送来一出好戏《少帅传奇》。它与去年抚顺话剧团的《战犯》同是松辽平原的戏剧工作者为天津观众雪中送炭的佳作。当然,《少帅传奇》与《战犯》题旨各异其趣,但是,做为话剧艺术创作者能热切地从现代革命史中寻觅、捕捉、挖掘这种带有历史特色与乡土风情的题材是值得称道的。做为只看过一场演出的观众,感到《少帅传奇》最明显的不足之处就是剧终结尾的处理。特别是少帅的最后一句哲理味十足的台词,最后的纪念碑塑像式的造型,和轰然巨响的钟声等,这些都非常不真实地拔高了人物。
Early winter on the stage in Tianjin, Siping Drama District sent a good show, “Marshal Legend.” It is the same as the “war criminals” of the Fushun Repertory Theater last year and a masterpiece by the theater workers in Song-Liao Plain that gave timely help to the audience in Tianjin. Of course, the themes of “Little Legend” and “war criminals” have their own unique interests. However, as the writer of theatrical arts, they can eagerly look for, capture and exploit this theme with historical features and local customs in modern revolutionary history. Commendable. As a spectator who has watched only one performance, one of the most obvious deficiencies of Legends of Marshal is the handling of the end of the play. In particular, the last sentence of the less handsome, full of philosophical lines, the last statue of the statue statues, and crashing bells and so on, these are very unrealistically high figures.