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敦煌壁画中的飞天体态轻盈,在天花旋转、云气飘流中迎风而翔,富有生气和强烈的动感,是中国美术史卷中充满自由奔放象征的重要艺术形象之一。艺术之路,往往殊途同归,富有生气和动感恰恰也是盆景艺术所要追求和表达的两个重点。同样是飞天主题,盆景却不能如绘画一样去凭空挥墨,没有天赋异秉的适宜素材、善于发现的慧眼和深厚的创作功底,是绝难表现的。
The flying body in Dunhuang frescoes is light and full of vigor and vitality. It is one of the important artistic images filled with free and unrestrained symbols in the history of Chinese art. The road to art, often with different ends of the road, is full of vigor and vitality, which is precisely what the bonsai art pursues and expresses. The same theme is flying, but the bonsai can not just like the painting go out of thin air, there is no talent different material, good at discovery and deep foundation of creativity, it is difficult to show.