论文部分内容阅读
秦始皇一生五次巡游,于所经之地留有七处刻石。刻石立碑作为一种政治宣传手段,其主要目的是“宣教化、颂秦德”。会稽刻石所独有的“禁止淫淡”的诰文引发了当地是否“淫风”严重问题的探讨。本文在前人研究成果之上,再探所谓“淫风”问题及其所反映的秦代华夷观念。第一部分讨论“会稽”这一地理标示所包含的春秋战国时代越民族和东南区位概念;第二部分阐述古越民族在中原“诸夏”观念中的形象;第三、第四部分分别从地域风俗和秦人观念出发,分析越人“淫泱”形象的实质:第五部分结合秦的地方管理政策,探讨秦代的华夷观念及其演进过程。
Qin Shihuang life parade five times, in the place left seven stone. Carved stone monument as a means of political propaganda, its main purpose is “missionary, praise Qin Germany ”. Huiji inscriptions are unique “no obscenity ” essay provoked the local “Yin Feng ” serious problems. Based on the previous research results, this article probes into the so-called “Yin Feng” problem and its conception of Hua Yi in Qin Dynasty. The first part discusses the concepts of the more ethnic and southeast locations in the Spring and Autumn and the Warring States period covered by the geographical indication of “Huiji”; the second part describes the image of the ancient Yue people in the concept of “the Xia” in the Central Plains; the third and fourth parts From the perspective of the regional customs and the concept of Qin people, this paper analyzes the essence of the image of the more “obscene”: The fifth part discusses the concept of Hua Yi in Qin Dynasty and its evolution process.