关于展览不管是西语方式还是汉语方式,对“打开”(亦或是“OPEN”)概念而言,很难找到由于语言背景差异产生的能指歧义。这是因为,不同国家和民族的精神沟通和意图传达,虽版本不同,效果却是一致的。所谓异曲同工殊途同归,都是对上述事实的经验主义的确认与总结。生活需要 OPEN,艺术何尝不需要“打开”?在经济文明快速增长和文化生态不断丰富的今天,当 With regard to the concept of exhibitions, whether it is Western or Chinese, it is difficult to find the ambiguity of signifiers due to differences in language backgrounds for the concept of “open” (also “OPEN”). This is because the spiritual communication and intentions conveyed by different countries and peoples are the same in effect but in different versions. The so-called similarities and omissions go all the way to the same thing, are the confirmation and conclusion of the empirical fact of the above facts. Life needs OPEN, the art does not need “open”? In the rapid economic civilization and cultural ecology is constantly enriched today, when