反类型战争片在因其包裹在幽默外衣下的反战主题在电影史上总是承担着“游侠”的作用,张扬无拘却也勇敢正义的来表达艺术思想。但是本文认为这个类型的电影本质上有着犬儒主义的倾向,并以影片《欢迎来到东莫村》为例进行评析,论证影片并不是在嬉笑怒骂中拥抱世界,而是在一片虚无里不相信希望的存在这个事实,以此来正视该类电影在社会学意义上所承担的责任。 The anti-war film, in its anti-war theme wrapped in a humorous coat, has always assumed the role of “Ranger” in the film history, expressing its courage and justice in expressing its artistic thought. However, this paper argues that this type of movie is intrinsically cynicistic in nature and takes the film “Welcome to East Village” as an example to demonstrate that the film does not embrace the world in ridicule but rather in nothingness Believe in the existence of hope, in order to address the social responsibility of such films.