20世纪三四十年代,鲁迅、郑振铎等前辈在中国古版画的研究领域取得了繁茂硕果,但于佛教版画这一环节却略显单薄。直到周心慧主编的《中国古代佛教版画集》中收录了佛教经图版本近三百种,版画六百余幅,才让人领略到我国佛教版画的壮观,其中便有不少优秀的独幅雕版佛画。《中国古代佛教版画集》为我国佛教版画的研究填补了空白。文章通过对独幅雕版佛画的形成原因以及现实意义进行分析,以期为我国独幅雕版佛画研究提供一定的参考。 In the 1930s and 1940s, the predecessors such as Lu Xun and Zheng Zhenduo achieved great results in the field of ancient Chinese engraving, but they were slightly thin on the Buddhist engraving. Until Zhou Xinhui’s “Ancient Chinese Buddhist Engraving Collection”, which was compiled by Zhou Xinhui, included nearly 300 kinds of Buddhist scriptures and over 600 engravings, which gave people a taste of the magnificent Buddhist engraving in China, among which there are many excellent single-format engravings Buddhist painting. “Ancient Chinese Buddhist Engravings” fills the gap for the study of Buddhist engraving in our country. Through the analysis of the forming reasons and the practical significance of the single engraving Buddhist paintings, the article will provide some reference for the study of single engraving Buddhist paintings in our country.