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斯坦尼斯拉夫斯基原来准备写一本书,专门论述演剧艺术理论及各种演剧流派的问题,作为他所构思的“体系”的一个组成部分。有关这些问题的文稿,他从1908年开始就断断续续地写作,直到二十年代末三十年代初仍在进行,但由于各种原因未能成书,只留下以不同标题(《演剧艺术中的不同流派》、《艺术中的两种流派与匠艺》、《艺术中的三种流派》等)标明的各种稿本。 《体验艺术》一文是他构思的这本书的第三章,接在《匠艺》和《表现艺术》之后。斯坦尼斯拉夫斯基在这篇文章里比较系统地阐述了体验艺术作为一种演剧艺术流派的要旨,及其与匠艺和表现艺术的区别,它也是斯氏遗作中一份较完整地论述这个问题的材料。 根据《斯坦尼斯拉夫斯基论文、讲演、谈语、书信集》(1953年版)译出。
Stanislavski originally intended to write a book devoted to the issues of the theory of theater and the various genres of drama as part of his “system of ideas.” He wrote articles on these issues intermittently from 1908 until the early 1920s and early 1930s, but for various reasons failed to complete the book, leaving only the titles in different titles Different genres, “” two genres and artisans in art, “and” three genres in art, “etc.). The article ”Experience Art“ is the third chapter of his book, which he conceived, after ”Carpentry“ and ”Performing Arts.“ In this article, Stanislavski systematically expounds the essence of experiential art as a school of theatrical arts and its difference from craftsmanship and performance art. It is also a more complete Discuss the material on this issue. According to the ”Stanislavsky thesis, lectures, talks, correspondence" (1953 version) translated.