当代对于中国画发展最主要的忧患就是中国画的写意性在消解,中国画丰富的精神内涵在稀释,形式虽然在不断变化,而本质性的内容在逐渐丧失。在全国性大展上,国画作品越发趋向西画写实,甚至出现了令人恐慌的素描山水、素描人物,水墨画像黑白素描,设色水墨像着色素描。笔墨本是中国画的灵魂,而成为依附物体的明暗关系。还有一些作品为了形式和视觉上的效果,弱化笔墨,淡化线造型,狂怪求变,缺乏深层次审美品位。从表现手法上来看,写实性工笔用现代技法制作表现的功夫性巨作占多数,许多 The main concern of the contemporary Chinese painting development is that the freehand brushwork of Chinese painting is dissolving. The rich spiritual connotation of Chinese painting is diluting. Although the form is changing constantly, the essential content is gradually losing. In the nationwide exhibition, Chinese painting tends to be more and more realistic in western painting, with even scary sketches of landscapes, sketches of figures, black and white sketches of ink and wash paintings, and coloring drawings of ink-colored inks. Pen and ink is the soul of Chinese painting, which becomes the light and shade relationship of attached objects. There are still some works in order to form and visual effects, weakening the pen and ink, dilute the line style, the bizarre transformation, the lack of deep aesthetic taste. From the performance tactics point of view, realistic writing style with modern techniques to produce performance of the majority of martial arts masterpiece, many