尽管戏曲艺术还处于低潮时期,但新编戏曲剧目却层出不穷。全国各地不断有新戏上演,首都舞台常常是新戏连台。至于那未能发表或虽已发表而未能付排的新编剧目更是数不胜数。它们星星点点、簇簇丛丛,将戏曲园地点缀得五颜六色、春色如许,显示出戏曲艺术内在的生机和潜力。但是,“春花无数,毕竟何如秋实?”(陈亮《三部乐》)别看满眼芳菲,香气氤氲,就怕不久之后,落英缤纷,绿肥 Although opera art is still at a low ebb, new drama productions are emerging. There are new plays all over the country. The capital stage is often a new play. As for the failed to publish or published but failed to pay for the new play is endless. They are a little bit of stars and clusters of tufts, the opera garden dotted in colorful, spring color, showing the inherent vitality and potential of traditional opera art. However, “Chunhua innumerable, after all, what is autumn?” (Chen Liang, “Three Music”) Do not look full of Fangfei, aroma 就 氲, afraid of not long after,