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一件完整的中国画其创作要有一个大的结构关系起支撑,这一大的结构关系自始至终贯穿着画面,即所谓的气脉相连,血脉不断。气韵如何关乎画面的生命,凡中国人文之艺术无不首重气韵。谈中国画离不开中国的人文美学。黑白两字阴阳之谓也,上可写天,下可写地;形是中国画独有的心理空间,以符合心、眼、手的和谐为标准,并且不受客观事物的羁绊。只谈画面的大小关系而忽略了局部精微的实质,道何存焉?
A complete Chinese painting its creation should have a big structural relationship from the support, this large structural relationship throughout the picture throughout, the so-called qi pulse connected, continuous blood. How the charm of the life of the picture, where the art of Chinese humanities are all the most important charm. Chinese painting can not be separated from humanistic aesthetics. The black and white word of yin and yang also can be written on the sky and can be written down. The shape is the unique psychological space of Chinese painting, which is in line with the harmony of heart, eyes and hands, and is not fettered by objective things. Only talk about the size of the screen and ignore the essence of the local subtle, how the road where Yan?