论文部分内容阅读
丘壑者,意绪也,胸中峥嵘之气象。笔底丘壑,或层峦叠嶂,或深谷鸣泉,或平远萦回,皆有远意。丘壑不以大小论,虽一木一石,方寸间尽得万千气象,故,丘壑又分形、意二义,形者,山石跌宕起伏,草木繁简聚散,巨者可立百丈之险,微时而有不尽之意。是以,北宋之巨幅山水得丘壑之雄奇,明清小品山水得丘壑之玄妙。意者,下笔不拘于物象,笔墨变幻无迹,一点一画,气局非凡,平淡中出奇无穷,此所谓不以境界之大小论也。
Qiu who, the mood, the thunder of the towering atmosphere. At the bottom of the hill, or layers of mountain peaks, or valley deep springs, or far away, are far from. Qiu He is not based on the theory of size, although a wooden one stone, every inch to make thousands of weather, so Qiu He fractal, meaning Eryi, shape, rock ups and downs, Insurance, micro-time and endless meaning. Therefore, the huge landscape of the Northern Song Dynasty was a magnificent hill Qiu, Ming and Qing Pieces landscape Qiuqiu mysterious. Italian who pen informally on the image, the pen and ink changes without a trace, little by little, the extraordinary situation, dull in the surprising, the so-called not the realm of the size of the also.