艺术如何融合中西?这,当然是一个有趣的提问。回首20世纪神州绘画艺术的发展,康有为在1917年的《万木草堂藏神州画目》中指出:“神州画家,至国朝而衰弊极矣……若仍保守不变,则神州画学,应遂灭尽,国人岂无英绝之士,应运而兴,合中西而为画学新纪元者,其在今乎,吾斯望之。”彼时,“合中西而为画学新纪元”即成为林风眠、徐悲鸿等大师致力破解的命题,亦成为中国画从此纠结无解的宿命。 How art merges Chinese and Western? This is, of course, a very interesting question. Looking back on the development of the 20th century Chinese art of painting, Kang Youwei pointed out in his 1917 Collection of Divine Paintings of Wanmucao: “The Divine Painter, Learn, should be extinct, the Chinese people would not have the British people, should come into being, combined with the West for painting a new era, its in this, I hope that. Learn a new era ”that is, Lin Fengmian, Xu Beihong and other masters committed to cracking the proposition, has also become the fate of Chinese painting since no solution.