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分析元代初期画家的文字记述和绘画作品,我们可以清楚地看到一种十分明显的绘画现象,即对前朝南宋绘画风格的强烈排斥和逆反。在以钱选和赵孟为代表画家的作品中,这种排斥逆反可分为两种方向:一是复古,复唐朝、五代、宋初之画风;二是实验性的尝试,把远古风格典故纳入时新的画风。在复古和个人风格的成熟方面,钱选显然比赵孟略逊一格,他的突出和受人推崇之处乃在于带有实验性质的绘画革新意识。钱选是元代初期最负盛名的南宋遗民画家之一,宋亡之后一
Analysis of the early Yuan Dynasty painter’s account writing and painting works, we can clearly see a very clear phenomenon of painting, that is, the former southern painting style strongly rejected and reversed. In the works of the painters represented by Qian Xuan and Zhao Meng, the rejection can be divided into two directions: one is the style of painting which is retro, the Tang, the Five Dynasties, and the early Song; the second is the experimental attempt to turn the ancient Style Allusions Inclusion of new style. In terms of the maturity of the retro and personal style, Qian Xuan is obviously inferior to Zhao Meng, his prominent and respected place lies in the sense of experimental painting innovation. Qianxuan was one of the most famous painters of the Southern Song Dynasty in the early Yuan Dynasty, one after Song Dynasty