新中国十七年的油画,经历了学习苏联与追求民族化的过程。国画作为最具代表性的传统绘画形式,自然备受关注。作为重要的本土艺术资源,经油画家的理解、融合、转换,其线条、用笔、意境等特点,出现在此阶段追求民族化的油画作品里。文章通过分析中国画表现的重要特点,结合当时的油画家理论认识与实践,探讨了线条、用笔、意境在新中国十七年间油画作品中的体现。 Seventeen years of new China’s oil painting, has gone through the process of learning the Soviet Union and the pursuit of nationalization. As the most representative form of traditional painting, traditional Chinese painting has drawn much attention. As an important local art resource, oil painters’ understanding, fusion, transformation, line, pen, mood and other characteristics appear in the nationalized oil painting works at this stage. By analyzing the important features of Chinese painting performance and combining with the cognition and practice of oil painter theory at that time, the article explores the embodiment of lines, pen and mood in the oil painting works during the 17 years in New China.