刘亮程的作品及其研究是一个不可忽略的文学现象。刘亮程的文学所关注的并非乡村,也不是人类短暂的一生,他拷问的是与永恒相关的灵魂的事。他说:“喧哗的生命过程都在逃生。”他发现进入现代,灵魂不仅要从人类自设的物欲迷障中逃生,还要继续逃脱死亡的恐惧与生存虚妄感的追赶。因此,逃生是人的宿命。刘亮程是运用意象的高手,他的作品中活跃着源于生活的丰富意象,这些是其文学世界的最重要构件,也是体现和凸显灵魂在现实世界中逃生宿命的重要载体。本文通过文本细读的方式,以时间为主题,以风、坑两个重要的时间意象为切入点,揭示刘亮程为灵魂在现实中逃脱时间的无情追捕而阐发的特殊时间观。本章根据刘亮程在作品中体现的不同时间感悟为界,分为黄沙梁时期、虚土庄时期、阿不旦村时期,与之对应的是对其客观时间、主观时间及生存时间的深入阐述。通过对时间的认真思考,刘亮程找到了一种身体与灵魂同步,隐于时间缝隙的生存方式,从而找到了消解死亡恐惧感的灵魂逃生路。 Liu Liang Cheng’s works and their research are not negligible literary phenomena. Liu Liang Cheng’s literature is not concerned with the countryside nor is it the short-lived life of man. He tortured the eternal soul. He said: “The noisy life process is all about to escape.” He found that in the modern age, the soul not only escaped from the physical disorder of mankind itself, but also escaped the fear of death and the chase of vanity in existence. Therefore, escape is the fate of people. Liu Liangcheng is the master of using images. His works are active and rich in images derived from life. These are the most important components of his literary world and an important carrier of reflecting and highlighting the soul’s escape in the real world. This paper tries to find out the special time concept elaborated by Liu Liang Cheng as the merciless pursuit of the escape of soul in the real life by taking the time as the theme and the images of the wind and the pit as two important time images. This chapter, based on the sentiment expressed by Liu Liang-cheng in different works of time, is divided into Huang Shaliang period, Xu Tuzhuang period and Ah-bu-dan village period. Correspondingly, this chapter elaborates on objective time, subjective time and living time. Through careful reflection on time, Liu Liang-cheng found a way of life that was synchronized with the body and hidden in the gaps of time, and thus found the soul escape route to eliminate the fear of death.