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带有独立精神的电影成为呈现中国经济高速增长过程中产生的社会底层群体的重要媒介,在主流文化中“沉默”的群体借助独立电影的“目光”而被看见,比如贾樟柯关于山西县城的故事以及刁亦男对北方工业城市的表现,都展示了繁荣的国际化大都市之外的另一种中国城市的景观。从今年年初《白日焰火》在海外摘得柏林国际电影节金熊奖,到3月份在国内院线收获过亿元的票房,这不仅突破了中小成本艺术片难以在主流商业院线占得一席之地的格局,而且实现了国际电影节和国内电影市场的双重认可。刁亦男作为王小帅、娄烨、贾樟柯等上世纪90年代从事独立电影的后起之秀,2003年才开始拍
The film with independent spirit has become an important medium presenting the bottom groups of society generated during the rapid economic growth in China. The “silent” groups in the mainstream culture are seen with the “eyes” of independent films. For example, Jia Zhangke The story of Shanxi’s county and Diaoye’s performance of industrial cities in the north show the landscape of another Chinese city outside of a prosperous cosmopolitan city. From the beginning of this year, “White Day Fireworks” won the Golden Bear prize at the Berlin International Film Festival overseas, and at the box office in the domestic cinemas, which won over 100 million yuan in March. This not only broke through the difficulty of accounting for small and medium-cost art films in mainstream commercial cinemas Place pattern, but also to achieve the dual recognition of the International Film Festival and the domestic film market. Diao Yina as Wang Xiaoshuai, Lou Ye, Jia Zhangke and other 90s of last century engaged in a rising star of independent film, started in 2003