丰枫的翡翠雕刻艺术构思来源于生活,来源于他对传统文化的认识,而在中国的翡翠雕刻技艺和作品中,两者有机的完美结合才可谓珍品。时光荏苒,岁月如梭,丰枫从事翡翠雕刻转眼已经二十个春秋了,翡翠雕刻早就成为他生命中不可或缺的元素。他的雕刻在取材方面依石料自然形状进行造型和布局,也就是“因材施艺”中的“取势造型”和“随形变化”雕刻法。这种方法既可以充分利用原材料,减少浪费,尤其是对使用好料更有意义。根据石形与现实生活形象的联想,可使作品出现意想不到的新颖形态。这种形态的确定必须从题 Feng Feng emerald carving art concept comes from life, from his understanding of traditional culture, and in China’s jade carving skills and works, the perfect combination of the two can be described as treasures. Time flies, time flies, Feng Feng Engaged in emerald sculpture has blink of an eye twenty years, jade carving has long been an indispensable element in his life. His sculptures are shaped and arranged according to the natural shape of the stone in terms of drawing material, that is, the “shape-based modeling” and the “shape-changing” engraving method in the “Shi Ti Yi”. This method can make full use of raw materials, reduce waste, especially for the use of good material more meaningful. According to the association of the stone shape and the real life image, the novel can be unexpectedly presented. This form must be determined from the title