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全显光是当代极其难得的“万人如海一身藏”的艺术大家,是新中国艺术史与艺术教育史上的一位“失踪者”。他不仅构建了风标独具、意义非凡的“德国学派”艺术基础教育体系,而且毕生辗转中西,多方深入中国民间艺术传统、文雅传统、西方文艺复兴古典传统、现代表现主义传统等各种艺术传统精神深源,取宏用精,融通创造,创发出浑厚滋润、雄肆霸悍的真正“中国气派”艺术风貌。本文正是对其国画、油画、版画、水彩画、素描、雕塑、篆刻、书法作品,予以全面而深入地评析:“全家样”钟馗雄放霸悍,横绝古今;国画山水散,密,乱,黑,亮,润;国画荷花苍健老辣,高华妖娆;水彩蓊郁苍毛,空明滋润;油画两端深入,引中入西,自然融通;版画,以刀为笔,亦豪亦秀;雕塑、书法、篆刻博识精能,汪洋恣肆。文章对全显光艺术作品的评价阐析,一以向这位默守一隅隐忍精进的艺术家致敬,一以深期为当代中国浮嚣的艺术乱象,增添伟美景观。
It is an extremely rare contemporary artist in the world who has a history of 10,000 people like a sea and a missing person in the history of art and art education in new China. He not only constructed a unique and significant “German School” basic education system of art, but also devoted his life to the fields of Chinese folk art traditions, elegant traditions, western classical renaissance traditions and modernist traditions The traditional spirit of the traditional arts, take the macro with fine, melt to create, create a vigorous moisture, the male domineering real “Chinese style ” artistic style. This article is a comprehensive and in-depth analysis of its traditional Chinese painting, oil painting, printmaking, watercolor painting, sketching, sculpture, seal cutting and calligraphy. , Chaotic, black, bright, moist; Chinese painting lotus spicy, Gao Hua enchanting; watercolor Cang Yu Cang, empty Ming moisture; oil at both ends, cited in the West, natural melting; prints, Hao also show; sculpture, calligraphy, carving know fine, ocean unrestrained. The article evaluates and analyzes the works of the whole visual art. One is to pay tribute to the artist who is obsessed with keeping one corner, and the other one adds artistic beauty to the chaos of contemporary China.