上世纪80年代以后,我们能看到的渐渐多了,让国度以外的事物都有先入为主的可能。那个时候我们的某种确信,是诚恳的,就像如今的反省一样。玛丽·艾伦·马克的作品在那时好似恰当的恩赐,振聋发聩。在我们的土地上,我们在学习中徘徊成众多的复制者,甚至将这复制奉为圭臬,好像只有影像叙述一条路是王道。无疑,玛丽·艾伦·马克是用照相机说事儿的人当中无可匹敌的一位,语言流畅、控制精准、神经强韧,玛格南有她,也如王冠上不缺钻石。而不可否认的是:影像叙事,所谓的纪实摄影,是摄影的一种强大,而非全部力量。 Since the 1980s, we have seen more and more, so that things outside the kingdom are preconceived. Somehow we were certain and sincere at that time, just as introspection today. The works of Mary Alan Mark at that time seemed to be fitting gifts, deafening. In our land, we wander into many replicators in our studies, and even consider this copy as the standard, as if only the narrative of the image was a king. There is no doubt that Mary Alan Mark is an unmatched one among those who use the camera to say things. The language is fluent, well-controlled and nervous, and Magnum has her, as well as the crown of diamonds. Undeniably, however: image narration, the so-called documentary photography, is a form of powerful but not all force of photography.