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编者按中国电影产业化改革已经过去了十余年,票房逐年攀升,电影开始成为文化朝阳产业的同时,如何保持增速,如何寻找新的增长点,也是摆在电影人面前的一道难题。近年,一批具有显著特征电影的涌现,也许能够从中看出中国电影发展的一个新路向。从较早的《杜拉拉升职记》、《失恋33天》、《画皮2》,到近期的《人再囧途之泰囧》、《北京遇上西雅图》、《致我们终将逝去的青春》、《天机·富春山居图》、《小时代》,等等,它们共同的特点除了票房很高、争议较大之外,最引人瞩目的就是全部都是新导演。新鲜血
Editor According to the Chinese film industry reform has passed more than ten years, the box office has been rising year by year, the movie has become a cultural sunrise industry, how to maintain growth, how to find new growth point, is also placed in front of a movie puzzle. In recent years, the emergence of a group of movies with notable features may reveal a new direction for the development of Chinese movies. From the earlier “Rise of Du Lala”, “romance 33 days”, “Painted Skin 2” to the recent “people embarrassed Thai embarrassing way”, “Beijing meets Seattle”, “To us will eventually die Youth ”,“ Fuji Spring House ”,“ Little Times ”and so on. Their common characteristics are the new directors, except for the high box office and the more controversial issues. Fresh blood