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传统之名用于书学迟至明元,但从内容上看,北宋苏轼对晋唐书法“传统”的阐释已经相当全面。可以说,后世盛行的以“书宗晋唐”为基本内涵的帖学传统观念,首先是由苏轼建立的。作为宋代书坛的领袖,苏轼关于晋唐书法的评论本身即着眼于对书法“传统”的构建,集中地体现了他的书法价值观。这不仅奠定了“尚意”书论的理论基石,也为宋代书法的振兴提供了切实的方向指南。
The traditional name is used for late learning Ming Yuan, but from the content point of view, the Northern Song Su Shi Jin and Tang calligraphy “tradition ” interpretation is quite comprehensive. It can be said that the prevailing postmodernist philosophy of “Tie Shu and Tang and Jin Dynasties” as its basic connotation was first established by Su Shi. As the leader of the Song Dynasty calligraphy, Su Shi’s comment on the calligraphy in the Jin and Tang dynasties focuses on the construction of the calligraphy “tradition ” and embodies his calligraphy value. This not only laid the theoretical cornerstone of the book theory of Shang Yi, but also provided a practical guide for the revival of calligraphy in the Song Dynasty.