近读南宋文学批评家严羽论诗的著作《沧浪诗话》,其中有“语忌直,意忌浅,脉忌露”等语,这虽然谈的是“诗忌”,但是我以为也是“影忌”。目前有些国产影片看后让人失望,其中原因之一就是犯了这“三忌”。电影创作同诗歌创作虽有差异,而且这“三忌”也不能概括一部电影成败的全部原因,但是如果我们在这些地方加以注意,那对于提高电影的艺术质量还是大有补益的。所谓“语忌直”,大家可能亦有同感。有些影片忽视电影是视觉艺术这一特点,让其中人物把自己的心理活动、政治主张统统由嘴里说出,这在一些由话剧改编为电影的 Nearly read the Southern Song literary critic Yan Yu’s poem “Canglang poetry”, among them “language bogey, meaning avoidance, pulse avoid dew” and other language, although this talk about “poetry bogey,” but I think it is “Shadow taboo.” At present, some domestic movies look disappointing after watching one of the reasons is to make this “three bogey.” Although there are differences between the creation of a movie and the creation of a poem, and this “three bogeys” can not sum up all the reasons for the success or failure of a movie, if we pay attention to these places, it will be of great help to improve the artistic quality of a movie. The so-called “language avoid straight”, we may share the same feeling. Some films ignore the film is the visual arts of this feature, so that the characters put their psychological activities, all political claims from his mouth, which in some of the adaptation of drama into a movie