中国人物画源远流长,尤其在近现代,水墨人物画得到根本性的民展,于振洋先生着力于水墨人物画的传统,以及当代性的思考和实践,在没有失去传统笔墨的前提下,对绘画的形式,特别是文人画的空间上进行一番有益的探求,旨在通过个性化的笔墨,表达传统与当代的融合,并力求使画家本人的内在修养,发端于笔墨造型及绘画语言所要阐述的文质性要求,令画面更有文化的厚重感,从而达到诗情画意的完美结合。 Chinese figure painting goes back to ancient times. Especially in modern times, the ink-and-water figure painting has got a fundamental folk show. Mr. Yu Zhenyang focuses on the tradition of the ink-and-wash portrait painting as well as contemporary thinking and practice. Without losing the traditional ink and brush, Painting in the form of space, especially the literati painting space to carry out some useful exploration, designed to express the fusion of tradition and contemporary through personalized writing, and strive to make the artist’s internal self-cultivation, originated in pen and ink modeling and drawing language Describe the requirements of the nature of the text so that the screen more sense of the heavy culture, so as to achieve the perfect combination of poetic and pictorial.