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长时间书法教学的积累,促成了我对传统经典的再加深认识,同时也逐步养成了区分优劣的基本识别能力——不随波逐流,便有了自己的艺术语言,这种朦胧的带有一分固执的把持,可能会越来越有悖于时风的蔓延……明智者,常回“零点”检阅自身,从纯粹中再出发;不明智者,带着效仿的坚持“死”去。我想把这份坚持放到前者。讨论当代书法的美学范式,时人总带着异常主观的口吻去判
The accumulation of long time teaching of calligraphy contributed to my deepening understanding of the traditional classics as well as gradually developed the basic ability to distinguish between advantages and disadvantages - without obstructing the flow, I had my own artistic language. This obscure with a Points of stubborn control, may be more and more contrary to the spread of the current wind ... wise people, often back to “zero” to review their own, starting from pure again; unwise, with follow the example of “death ”go with. I want to put this insistence on the former. When discussing the aesthetic paradigm of contemporary calligraphy, people always sentenced with abnormal subjective tone