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2002年7月9日,是个星期天,田戈兵将新近排练中的《婚姻合作及相关场景》其中部分元素与环境结合,在傍晚的北京人定湖公园一片空地演出。原计划二十分钟长度,实地持续半小时。菲律宾舞蹈员玛雅的独舞贯穿这一环境,是精华所在,还有随玛雅的舞动画地为营的一位男子舒阳涂画在地面或者树干等实体上的图形文字,都给我留下深刻印象。12日下午,文慧(东方歌舞团编导,现代舞编导演)希望多作一些交流,就把她的舞蹈生活工作室的
On July 9, 2002, it was a Sunday. Tian Gebing combined some of the elements of the recently rehearsed “marriage cooperation and related scenes” with the environment and performed in a vacant land at People’s Park in Beijing in the evening. The original plan twenty minutes in length, the field lasted half an hour. Philippine dancers Maya’s solo dance through this environment, is the essence, as well as the Mayan dance animation camp for a man Shu Yang painting on the ground or tree trunks and other entities on the graphical text, all left me a deep impression. On the afternoon of the 12th, Wen Hui (director of Oriental Song and Dance Theater, director of modern dance) hoped to make more exchanges and put her dance studio