影片《暖》改编自莫言的短篇小说《白狗秋千架》,与莫言在小说中对社会现实犀利尖锐的批判不同,导演霍建起以一种独特的视角,让影片在带有悠长韵味的同时,再现了人间温情和浓浓暖意。本文以小说和电影的对比为基础,分析影片《暖》赋予主题新内涵后,对“白狗”、“秋千”意象所作的大胆取舍;与此同时,影片通过重塑“暖”这一女主角形象,试图美化、弥合现实的裂痕,以其诗化的艺术表现方式,凸显了电影具有的唯美特质。 Film “Warm” adapted from Mo Yan’s short story, “White Dog Swing Stand,” is different from Mo Yan’s sharp criticism of social reality in his novels. Director Huo Jianqi has a unique perspective that gives the film a long, Reproduced the warmth and warmth of human warmth. Based on the comparison between novels and cinema, this article analyzes the bold conception of “White Dog” and “Swing” after giving the new connotation of the theme to the theme of “Warm”. At the same time, Warm "image of the heroine, trying to beautify, to bridge the reality of the rift, with its poetic artistic expression, highlights the film has the aesthetic qualities.