少数民族的“中国梦”有其特殊之处。本文通过《刘三姐》与《寻找刘三姐》论述壮族题材电影的文化符号所呈现的民族品格与现代品格及两者所形成的张力对符号表意的参与,两部电影似乎都传达了一样的现代之梦,但后者对前者的“寻找”正表明了一种文化的自我回归,这种回归证明了少数民族文化在建构现代之梦时有着得天独厚的资源。 Minorities “Chinese dream ” has its own special features. Through the discussion of the national character and the modern character presented by the cultural symbols of the Zhuang movie and the tension formed by the two, the two movies seem to convey the same modern dream , But the latter’s search for the former is demonstrating a kind of cultural self-reversion, which proves that the minority culture has a unique resource in building a modern dream.