自中国艺术诞生起,就无法离开身的时——空而存在。在没有从事创作之前,首先要解决的就是身位(如执笔、姿势和身与文房四宝的关系等);一旦进入创作,在笔墨运转中,身体也随之而发生韵律化的变化,并渐入佳境,肉身的感觉渐渐被消解,成为心灵的一部分;同样,当打开一幅艺术品进行观赏时,随着作品的打开,身体得以悠缓的舒展; Since the birth of Chinese art, it has been impossible to leave the body without space. Before going into creation, the first thing to be solved is the body position (such as writing, posture and body and the relationship between the four treasures, etc.); once into the creation, in the pen and ink movement, the body also followed the rhythm of change, and gradually Nirvana, the feeling of the flesh gradually dissolves into a part of the soul; Similarly, when opening a work of art for viewing, with the opening of the works, the body can be slowly stretched;