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笔者小时候曾对中国画进行过较为系统的培训,深知中国画的线条是不拘泥于造型的“写意”和“抒情”式的表达,通过不同的作画者,线条或细腻,或粗犷,或潇洒大气,或平静稳重。而正是由于在国画培训中锻炼出的对事物形态造型和线条运用的把控能力,为日后西方绘画中素描的学习打下了坚实的基础。因而今以中西方绘画用线的比较为研究对象,以其各自绘画中线的运用及发展过程为中心线索,实现对中西方绘画中的线在运用上异同的总结。
When I was a child, I had conducted systematic training on Chinese painting. I realized that the lines of Chinese painting are not rigidly related to the expressions of “freehand” and “lyrical” expression. Through different artists, lines or exquisite lines, , Or smart atmosphere, or calm and steady. It is precisely because of training in traditional Chinese painting exercises on the shape of the shape and the use of line control ability for the future of Western drawing sketch laid a solid foundation. Therefore, taking the comparison of Chinese and western painting lines as the research object, taking the centering and developing process of their respective drawing center lines as the central clue, this paper realizes the similarities and differences of the lines in Chinese and Western painting.