陶瓷作为一种立体的文化载体,伴随着民族的悲与喜。到了清朝末期,由于受到鸦片战争,外国的经济政治侵略的影响,再加上科学技术的保守落后和制瓷工艺的粗制滥造,尤其表现在粗略的陶瓷装饰工艺上,使得中国陶瓷在质量、产量和出口上每况愈下。这也从另一侧面间接的揭示和反映出,由于海上丝绸之路茶叶贸易所产生的贸易逆差,引发了鸦片等外来不健康内容讯息的传播,导致了海上丝绸之路整个传播过程也发生了巨大的改变,制约了中国经济的发展、干涉了国内政治、荼毒文化和人民。 Ceramics as a three-dimensional cultural carrier, accompanied by national sadness and joy. By the end of the Qing Dynasty, due to the influence of the Opium War and foreign economic and political aggression, coupled with the backward science and technology and the cumbersome manufacture of porcelain craftsmanship, it was especially manifested in the rough ceramic decoration process, Export on the decline. This indirectly reveals and reflects on the other side that due to the trade deficit brought by the tea trade on the Silk Road on the Silk Road, the spread of messages of unhealthy content such as opium has also led to the huge spread of the Maritime Silk Road. The changes have constrained the development of China’s economy and have interfered with domestic politics, the poison culture and the people.