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一个世纪以来,现代雕塑自身的发展轨迹,使得它与其它艺术形式之间的差异已经模糊了。现代雕塑的内涵和外延都已相当地扩展。许多现代雕塑都呈现出新的特点,如抽象性、大尺度、室外展示、使用自然材料、融入公众参与等,由此有了“景观造型”这一概念的形成。公共艺术仅仅具有视觉层面的特性还远远不够,只有调动了人的其他感官的感受,才真正产生了公众的参与性。通过对景观造型的公共性研究,我们意识到艺术是将人们吸引过来并深深地感动他们,使他们自由自在融入其中的乐园。
For a century, the development of modern sculpture itself has blurred the distinction between it and other forms of art. The connotation and denotation of modern sculpture have been considerably expanded. Many modern sculptures are showing new characteristics, such as abstract, large-scale, outdoor display, the use of natural materials, integration into the public participation, which has the concept of “landscape modeling ”. Public art only has the characteristics of the visual level is far from enough, only to mobilize the feelings of other senses, the real public participation. By studying the publicity of landscape architecture, we realize that art is the paradise that attracts people and impresses them so much that they are free to blend in.