把梁启超对拜伦的《哀希腊》翻译置放在近代中国的历史语境中加以盘检,指出梁启超的翻译目的不在于诗歌艺术的审美追求,而是在于借此发表政见,并在这一目的定位下对拜伦的《哀希腊》原文进行了本土化的翻译改写,植入改造国民性的话语,充分显征了他的新民救国思想。 Put Liang Qichao’s translation of Byron’s translation of “The Grief of Greece” in the historical context of modern China and pointed out that Liang Qichao’s translation was not aimed at the aesthetic pursuit of the art of poetry. Instead, Liang Qichao issued his political opinion. The purpose of localization is to translate and rewrite Byron ’s original version of “Greece in grief”, implanting and reforming the national discourse, fully demonstrating his idea of ​​saving the nation by newcomers.