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德国古典唯心主义哲学、美学的奠基人康德在《判断力批判》中建构了他的美学体系。他对审美与艺术的剖析在西方美学思想史上具有重大且深远的影响,他通过审美判断和艺术中美的密切联系分析出美的本质问题。辨别判断之美与艺术之美运用审美判断进行区分并详细说明了四个切入点,因为它是分析艺术之美的基础。艺术之美的根本点是判断之美,也就是取决于审美判断并高于判断之美。它与通过审美判断而得出的判断之美都是以无功利、无概念的形式为基础,但是并不是所有事物通过审美判断都能成为艺术,因为艺术是审美过程的提炼,是以美为根本点的最终形式。
Kant, the founder of German classical idealism and aesthetics, constructed his aesthetic system in Critique of Judgment. His analysis of aesthetics and art has a profound and far-reaching influence in the history of western aesthetic thoughts. He analyzes the essence of the United States through the close connection between aesthetic judgment and the artistic Sino-American relationship. Discrimination between the beauty of judgment and the beauty of art uses aesthetic judgment to distinguish and specify four entry points as it is the basis for analyzing the beauty of art. The basic point of artistic beauty is the beauty of judgment, that is, it depends on aesthetic judgment and above the judgment beauty. It and the judgments derived from aesthetic judgments are based on non-utilitarian and non-conceptual forms. However, not all things can become art through aesthetic judgment. Art is the refinement of the aesthetic process, based on beauty The final form of the point.