我们只能说,我们“用”身体摸索一种边界,对身体了解越深,越能换得把控它的自由,同时也更清晰地知道它的限制所在。陶台的作品始终在层层剥离抒情的水分,逼迫身体,也逼迫出一种与众不同的美学,你似乎可以从人性中突、文化、权力的各种角度诠释它,又似乎被剥离得只剩下了纯粹的语言本身,那种张力从头到尾,如果不是音乐骤停,演员难以抑制的呼吸声清晰地在整个空间回响,你几乎被这种步步紧逼的力量挤千了水分。 We can only say that we “explore” a boundary with the body, and the more we understand the body, the more we can control its freedom and the more clearly we know its limitations. Taotai’s works are always peeled off layers of lyrical moisture, forcing the body, but also forcing a distinctive aesthetics, you seem to be from the human nature of conflict, culture, power of all angles to interpret it, it seems to be diverted Only pure language itself, the kind of tension from start to finish, if not music stops, the percussion of the artist’s breath clearly echoed in the entire space, you are almost squeezed by the force of this step by step squeezed water .