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中国第二届舞台美术展展出的舞台美术作品当然只是近二十年来我国舞台美术创作成就的一部分,但是,当把它们集中在南京国际展览中心的展厅时,我们心情都很激动。这约三千幅设计图与模型的背后有着我国“舞美人”艰苦卓绝的劳动、汗水和眼泪,有着我国“舞美人”对中国舞台美术事业,对中国戏剧事业的一片赤胆忠心! 今天在南京不仅集中了20多年来的舞台美术各类作品,而且非常难得地聚集了我国老中青几代舞台美术家。一切有良知的戏剧家,都会以有你们这样的舞美艺术家而感到骄傲! 新时期以来,我国舞台美术创作从艺术观念、思维方式到艺术方法和艺术形式都发生了翻天覆地的变化。舞台美术界起初是脱离单一的幻觉性的描绘——既采用幻觉性的描绘方式,但更多
Of course, stage art works exhibited at the Second Stage Art Exhibition in China are only part of the achievements of stage art creation in the past two decades. However, we feel very excited when they are concentrated in the exhibition hall of Nanjing International Exhibition Center. Behind these three thousand design drawings and models are the arduous work, sweat and tears of the “dancing beauty” of our country. They have the courage and loyalty to the Chinese stage art career and the Chinese drama career in our country. Today in Nanjing not only focus on For more than 20 years of stage art all kinds of works, and very rare to gather our generations of stage artists. Every conscientious dramatist will take pride in having such artists as yours! Since the new period, the stage art creation in our country has undergone tremendous changes from the artistic conception, the way of thinking, the artistic method and the art form. The stage art world was initially detached from a single illusionist depiction - both hallucinations, but more