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进入八十年代,由于社会审美心态的转移和观众鉴赏水平的提高,电视纪实作品以它的真实性、艺术性一跃成为最具电视特色的电视节目。它通过对生活情况、文化现象和历史事实的纪录,提示了生活本身所具有的内含和意蕴,成为当代人审视现实生活的重要窗口。如何通过这个窗口,在电视和观众之间永恒地架设一座相通的桥梁,作为一个电视人,就不能不加强对电视纪实作品创作的探索和研究,真正把握住电视纪实作品中的纪录片和专题片在表现生活上的最佳角度和表现方式,从而根据表达需要选择最好的表达文体和方式,创作出令观众满意的作品。那么,作为电视纪实作品的纪录片和专题片在创作上有哪些不同呢?
Into the eighties, due to the transfer of social aesthetic mentality and the appreciation of the audience, TV documentary works with its authenticity, artistic became the most television features television programs. Through its recording of life situations, cultural phenomena and historical facts, it has prompted the implication and implication of life itself and has become an important window for contemporary people to examine real life. How to establish a bridge between the television and the audience eternally through this window. As a television personality, we can not but strengthen the exploration and research on the creation of the television documentary work, and we can truly grasp the documentary and feature films in the television documentary works In the performance of life on the best perspective and expression, so as to express the need to choose the best expression style and manner, to create the audience satisfaction works. So what is the difference between the creation of a documentary and a feature film as a television documentary?