本论文以沂南汉墓汉画像乐舞图为例,在音乐的表现转化为艺术设计的图式表现之间,来探讨汉代的乐舞艺术转化为美术作品时产生的设计理念问题。论文认为时间中具有表演性的音乐和舞蹈艺术是瞬间性的,在汉画像中的表现已经转化成了乐舞的图式。 This dissertation takes the music and dance figure of Han Han tomb in Yinan as an example, and transforms the performance of music into the pictorial representation of the art design to discuss the design concept that arises when the music and dance art of the Han Dynasty was transformed into the art work. The dissertation holds that the performance of music and dance art in time is transient, and the performance in Han portrait has been transformed into the pattern of music and dance.