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广州西汉南越王墓出土的句鑃是青铜乐器家族中很有代表的乐器,这种代表性主要表现在其本土性、形制特征、预设性、文化的传播性及对性能探索的成败性等多个方面。笔者2006年3月有幸参与了中国艺术研究院音乐研究所承担的国家重点项目《中国音乐文物大系》(广东卷)的普查工作,并在导师、项目总编王子初先生的指导下与广东省文化厅考古研究所合作,对南越王墓博物馆馆藏的音乐实物进行了全面的拍摄、测量及
The sentence excavated from the Nanyue King Tomb of the Western Han Dynasty in Guangzhou is a well-represented instrument of the bronze musical instrument family. Such representation is mainly manifested in its local character, shape characteristic, presupposition, cultural dissemination and the success or failure of performance exploration Many aspects. In March 2006, the author was fortunate to have participated in the census of the major project of “Chinese musical relics” (Guangdong volume) undertaken by the Institute of Music of China Academy of Art. In the meantime, under the guidance of the mentor and project chief editor Wang Ziqu, Provincial Department of Culture Institute of Archeology, the Museum of Nanyue King Tomb Museum collection of real music carried out a comprehensive filming, measurement and