本文从弗洛伊德人格心理学的角度分析雨果《巴黎圣母院》中克洛德·孚罗洛这个悲剧形象 ,认为其性格发展经历了三个阶段。一是残缺的本我、扭曲的自我与虚幻的超我并存阶段 ;二是本我回归 ,自我完善 ,超我破灭 ,三重人格激烈冲突阶段 ;三是本我恶性膨胀 ,自我毁灭阶段。克洛德不仅仅是宗教势力的代表 ,也是宗教的受害者。这个形象的悲剧意义在于提示了宗教扼杀人性的罪恶 This article analyzes Freud’s psychology of personality from the perspective of Hugo “Notre Dame de Paris” Claude Ferohiro this tragic figure that his character has gone through three stages. First, the incomplete self, distorted self and illusion super coexistence stage; the second is the return of my self, self-improvement, super-I burst, the intense conflict of the three personality; the third is the stage of my malignant expansion, self-destruction. Claude is not only a representative of religious forces but also a victim of religion. The tragedy of this image is the suggestion of the evil that religion stifles humanity