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在对三仙姑的刻画中,赵树理更是集中笔墨突出她变态畸形的心理。首先是对男性的勾引。一个十五岁的少女,“前后庄上第一个俊俏媳妇”由于封建包办婚姻,嫁给了一个“只会在地里死受”的老实后生,这种“不般配”的婚姻对三仙姑来说是不可能有爱情和幸福的。“只有美妻嫁了丑夫,……止有两扇死门,并无半条生路,这才叫做真苦”。就在她感到孤独苦闷时,却引起村中一些浮浪男子的注目,“自动来和新媳妇作伴”。 她身边也集合了一大群年轻人,“每天嘻嘻哈哈。十分红火”。这些行为如作为年轻人特有的热情与活泼本无可厚非,但这偏偏不是封建礼教所能容忍的。于福他爹认为是大逆不道的,于是“发了脾气,大骂
In depicting the Three Immortals, Zhao Shuli is more focused on the psychology of her abnormal metamorphosis. The first is the seduction of men. A fifteen-year-old girl, “before and after Zhuang Shang first handsome daughter-in-law” due to feudal arranged marriages, marrying a “just died in the ground,” the honest and upright, this “not fit” marriage to the Three Immortals It is impossible to have love and happiness. “Only the beautiful wife married the ugly, ... ... there are two dead ends, there is no half way of life, this is called true suffering.” When she felt lonely and depressed, it caused the attention of some floating men in the village. “I came to be a companion to a new wife automatically.” Her side also gathered a large group of young people, “every day laughing. Very prosperous.” It is understandable that these behaviors, as the unique passion and activity of young people, are not tolerated by feudal ethics. In his blessing his father considered tyrannical, so "made a temper, cursed