列宾说过:“艺术中主要的东西就是技巧的魅力和美妙的手法。”根艺创作虽然强调的是尊重和依靠自然根的原始形态,因材施艺,以形表意,真实地反映自然美,但并不是根的自然形象的重复与再现。根艺的天趣也好,物象属性也罢,虽都取之于自然根材之中,可都是人赋予的。因为美的意识并不是在根材里,而是在我们的头脑中,对于这一点,唐代文学家柳宗元的“夫美不自美,因人而彰”之言表达得极为明显,即自然之美,需要经过人的治理,才能增益其美。《贵妃醉酒)(见左图)的原始根材,根杈纵横交错,较为奇特,是在一花农的废柴堆中发现的。我获得此根后,经过前后左右地细心观察构思,先是巧妙地取下来了一只“神 Repin said: ”The main thing in art is the charm of charm and the wonderful technique.“ Although root art emphasizes respecting and relying on the primitive forms of natural roots, Reflect the natural beauty, but not the repetition and reproduction of the natural image of the root. Root art Ye Hao’s Ye Hao Ye Hao, the image of the property worth mentioning, although all taken from the natural rootstock, both are given by people. Because the awareness of beauty is not in the root but in our mind, the expression of Liu Zongyuan’s Tang Dynasty literary man ” The beauty of nature, need to go through the governance of people in order to gain its beauty. “Drunken Royal (see left) of the original rootstock, root twigs criss-cross, more peculiar, is found in a flower farmer in the pile of waste wood. After I got this root, after carefully observing the concept around, first cleverly removed a ”god