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威廉斯在其戏剧创作中始终探讨死亡的本质以及人们对待死亡的种种方式。本文从戏剧结构和主体性两个角度,探讨死亡与欲望在《两人剧》和《猫》剧中的互文性。在威廉斯的戏剧中,死亡使主体终结性地与他者疏离,象征着主体欲望获得满足。因此,欲望和死亡的互文性从心理上决定并塑造了死亡愿望实现过程中的延宕,从而导致生活进入背离与偏差状态,却最终指向死亡。
Williams explores the nature of death and the ways in which people treat death in their dramatic writing. This article explores the intertextuality of death and desire in the “Two Dramas” and “Cats” dramas from the perspectives of drama structure and subjectivity. In Williams’s drama, death alienates the subject from the other person in a conclusive manner, symbolizing satisfaction of the subject’s desires. Therefore, the intertextuality of desire and death psychologically determines and shapes the delay in the fulfillment of the aspiration of death, which leads to the deviation of life from the state of deviation, but ultimately leads to death.