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20多年来,重庆藏家老陈对自己收藏的佛像具体数量已记不清了,有的被别人“请”回家去供奉,有的被拍卖公司上拍,而他更把自己最喜欢、认为最有研究价值的佛像秘藏不宣。经再三请求,他向我们展示了收藏的部分实物和图片,其中有陶制佛像,青铜佛头,红珊瑚、田黄石雕刻佛像等。千姿百态的佛像,或慈眉善目、或安静祥和,或立、或坐,栩栩如生。但从细节看也不是千篇一律,有秀骨清像的气韵,有雍容华贵的气质,有世俗化、生活化的影子,这是从西汉佛教传入中国后,不同时期的人们根据自己的理解塑造的佛的形象,更是对中国雕塑艺术产生了巨大而深远的影响。从老陈收藏的佛像管中窥豹,不难发现佛像
For more than 20 years, the old collectors in Chongqing collectors have not been able to remember the exact number of statues they have collected. Some have been invited by others to come back home for worship. Some have even been auctioned by auction houses, , Believe that the most researchful Buddha statue hidden. After repeated requests, he showed us some of the collection of real objects and pictures, including pottery statues, bronze Buddha head, red coral, Tian Huang stone carved statues. Different statues of Buddha, or kindly, or quiet and peaceful, or standing, or sitting, lifelike. However, the details are not monotonous either. They have the elegance of show bone, elegant temperament, secularization and life-style. This is the result of the passage of Buddhism from Western Han to China. People of different periods shape themselves according to their own understanding The image of the Buddha, but also on the Chinese sculpture has had a tremendous and far-reaching impact. From the collection of Buddhist statues in the tube in the jungle, it is not difficult to find the Buddha